I am kinda following in my daughter’s
footsteps these days, feeling drawn to YA stories with a little romance. But the
draw I feel tends to have said romance as a byproduct of another story line
including some massive life tension and struggle. I like hearing how authors
introduce and resolve the challenges of the story, and I like searching into
how realistic the solution they come up with is. One theme I really appreciate
is hope; I look for that theme routinely in the stories I read.
Anthem for Jackson Dawes is one such story. Being treated for brain cancer, Megan is in
the hospital for the first time getting chemo. Within seconds of arriving on
the children’s floor, Jackson Dawes enters Megan’s life. Literally. He trumps
right into her room, forcing himself into her life. She is none too receptive
to any visitor, but her wishes go disregarded by Jackson. After Jackson finally
leaves her room, she begins to witness who Jackson is on this ward: the Pied
Piper of the sick youngsters who inhabit the floor, the escape artist who explores
the rest of the hospital on sleepless nights, and the dear one to the medical
staff. As Megan’s treatment continues, she and Jackson grow closer, and Meghan
takes off with him at night, breaking all sorts of rules as they maneuver their
challenging illnesses and the escape hatch the giant hospital offers. While the
title makes it obvious that Jackson passes, it is Megan’s life that holds
center stage: the twists and turns of life, finding her way to live with
cancer, her transitions from relying on her family to allowing herself to grow
closer to her new friend and taking risks that fill her all come together to
create a storyline that is engaging, creative, and realistic from what I can
tell. Granted I have not had cancer, so I would like to know how realistic the
author’s exploration of that topic is and that didn’t stop me. I feel as if
Jackson Dawes could live in my life and as if in small ways, Megan’s internal
challenges mimic mine. To me, those qualities make for good reading.
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